Sarah Hromack

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September 1, 2010 at 1:04am
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Triple Canopy’s ninth issue is online, drawing its editorial premise, in part, from The Medium Was the Tedium, a panel discussion co-hosted by Rhizome and TC at the New Museum back in February. A few late-night, “best of” bullet points: 

+ A Note on Unplaced Movements: I’m generally not one for collectively-written editorials. But! Smart thinking about online publishing, as always. 

+ The Medium and the Tedium: Mel Bochner’s presentation from the Rhizome panel, “an account of conceptual art and its mediums.”

+ Shadow, Glare: Once installed on the user’s desktop, artist Erin Shirreff ‘s first digital artwork alters on-screen business-as-usual by casting shadows across their screen without interfering with the computer’s operating system. The project is downloadable here, for free.

+ Also, a few pithy Annotations on performance art and Berlin-based journal O32c’s new online archive, which gives the much-revered Aspen (1965-1971) a fairly thorough treatment. 

Image: Erin Shirreff , Signature, 2010, archival pigment print, 23 1/2 x 32 inches with fold.

Triple Canopy’s ninth issue is online, drawing its editorial premise, in part, from The Medium Was the Tedium, a panel discussion co-hosted by Rhizome and TC at the New Museum back in February. A few late-night, “best of” bullet points:

+ A Note on Unplaced Movements: I’m generally not one for collectively-written editorials. But! Smart thinking about online publishing, as always.

+ The Medium and the Tedium: Mel Bochner’s presentation from the Rhizome panel, “an account of conceptual art and its mediums.”

+ Shadow, Glare: Once installed on the user’s desktop, artist Erin Shirreff ‘s first digital artwork alters on-screen business-as-usual by casting shadows across their screen without interfering with the computer’s operating system. The project is downloadable here, for free.

+ Also, a few pithy Annotations on performance art and Berlin-based journal O32c’s new online archive, which gives the much-revered Aspen (1965-1971) a fairly thorough treatment.

Image: Erin Shirreff , Signature, 2010, archival pigment print, 23 1/2 x 32 inches with fold.

Notes

  1. publicradiointernational reblogged this from forwardretreat and added:
    great. I still think about their “Infrastructure...Souls” article —
  2. forwardretreat posted this