Upon entering Gedi Sibony’s exhibition at Greene Naftali earlier today, I experienced a fleeting, but marked sense of confusion about the space itself and my place in it. That, I think, is among the higher compliments one can pay to a work of art.
Upon entering Gedi Sibony’s exhibition at Greene Naftali earlier today, I experienced a fleeting, but marked sense of confusion about the space itself and my place in it. That, I think, is among the higher compliments one can pay to a work of art.
