The Horrors of Being a Middle Age Woman in a Capitalist SocietyReview: Shana Moulton's "Meta/Physical Therapy" at the Museum of Modern Art
Half a Century Before Midjourney, There Was AARONReview: "Harold Cohen: AARON" at the Whitney Museum of American Art
Can We Free Ourselves from Algorithms? Review: Kyle Chayka's "Filterworld: How Algorithms Flattened Culture"
Interview Magazine (1969-2018): ‘An Enduring Symbol of Downtown Cool, Even as Downtown Became Disney’A tribute to the iconic New York journal: a platform through which founder Andy Warhol operated as artist, hustler and public intellectual
The Museum Interface A conversation with designer Rob Giampetro about museum technology and culture.
The Real Power of Open Innovation A conversation with New York-based artists João Enxuto & Erica Love about the critical intersection of technology and institutions
Narcissism in the Digital Age A review of Kristen Dombek's "The Selfishness of Others: An Essay on the Fear of Narcissism"
Safety in NumbersAlgorithms, Big Data and surveillance: what’s the response, and responsibility, of art? Jörg Heiser asked seven artists, writers and academics to reflect.
Off the Page Paul Chan’s new publishing venture and the relationship between physical and virtual methods of book production
What is Metahaven? A critical analysis of the work of Dutch design studio Metahaven
It's Complicated: The Institution as Publisher Superscript Reader, Walker Art Center
2015
An op-ed on the politics that govern institutional publishing, written by invitation on the occasion of "Superscript: Arts Journalism and Criticism in a Digital Age" at the Walker Art Center
Another ‘C’ Word: On Content and the (Techno) CuratorialRedhook Journal (Bard College Center for Curatorial Studies)
2016
An (epic) essay on digital, linguistic, and curatorial intersectionality
A Thing Remade: A Conversation with Paul ChanA conversation with artist Paul Chan regarding his publishing venture, Badlands Unlimited, and its relationship to digital culture
I Was Here An investigation into the social role of gallery sign-in books as physical relics of experience in the digital age
